After months of nothing but hamburger meat and vegetables, a girl can start hankering after some flour and sugar. But there was none to be found in the house, so I made a trip to the wonderful Main Street Market in Algood, TN. Of course they had flour and sugar, but they also had lard! Unhydrogenated lard. But that's not the subject of this post: I didn't put lard in these cookies! However, the moral of the story is: you don't always have to go to Walmart. And, if you can't find it in Algood, you can probably get along without it.
I used Mark Bittman's "Refrigerator (or rolled) Cookies," from How To Cook Everything. It's a basic sugar cookie recipe, made with butter, sugar, flour, a little baking powder, and a little vanilla flavoring. I mixed up the dough last night (just using a fork, not the electric mixer) and refrigerated the dough overnight.
This morning I surveyed my cookie cutter collection. I have some great ones! I got out the heart-shaped one of course, it being almost Valentine's Day. Valentine's Day is associated with the ancient Roman celebration of Lupercalia, which I like because it involves running naked through the streets, shepherds, wolves, and fertility. Makes sense to me! So I got out my coyote cookie cutter too. Also, I have two Star Wars cookie cutters: Boba Fett and a generic storm trooper. I used the storm trooper. It doesn't have anything to do with Valentine's Day. Also, I used my wooden Buddha cookie mold.
These are apparently traditional in China for making mooncakes. There was a very impressive full moon last night, so it seemed appropriate. It's useful for using up extra dough too: you simply press it into the mold, then rap it on the table and a Buddha pops out. Then you cook him and eat him.
I used all those cutters and baked the cookies about 6 minutes. The Buddhas took a little longer because they're thicker. The coyotes' tails mostly fell off.
Then I did something that was pretty challenging for me. I made icing and piped it onto the cookies! I used a recipe for "decorative icing," from Gourmet.
I didn't have any Just Whites powdered egg whites, so I just used real egg whites and decreased the amount of water. That is, I didn't add any water. This turned out to be a mistake: the icing was way too thick and wouldn't pipe easily onto the cookies. I added some more water to it (I did use the electric mixer this time) and voila! Icing you can draw with! So point taken: to draw with icing, it can't be too stiff.
It's fun to draw with things other than pencils. Once I got to draw with a free-arm sewing machine at the Quilt Show in Houston. So alternative drawing media are attractive to me. To draw with the icing, I had to get it into one of those pastry bags with a metal tip on it. My sister gave me one of those cake decorating sets years ago, but it has taken me years to figure out how to screw on the tips. Today I got it working, and it was really fun. I put the "writing tip" on the bag. I found out why cakes always have cursive writing on them instead of printing: when drawing or writing with icing, you can't really stop and start too easily. You have to go with the flow.
As for the coyotes, it was a little harder to figure out what to draw on them, so I just kind of scribbled:
The storm trooper got some highlighting on his eyes and helmet, and the buddhas just got scribbles too.
Wednesday, February 8, 2012
Thursday, December 8, 2011
Do You Know What It Means: Conviviality in New Orleans
Tom and I just got back from a trip to New Orleans. When we first alighted in that fair city, we made a trip to Audubon Park, on a Sunday afternoon. It was lovely: the weather was mild, and citizens of New Orleans were disporting themselves next to the lagoon, full of twittering ducks. (Yes, the ducks there don't quack; they twitter.) There's a track that goes around the park, and one side of it is for cyclists, and the other side for walkers. People were out on trikes and bikes, with dogs and babies, all kinds of people.
"The colors of the rainbow, so pretty in the sky
Are also on the faces of people passing by
I see friends shaking hands, saying how do you do
They're really saying, I love you.
...
I think to myself, what a wonderful world."
I went back to Audubon Park every day while we were there, in good weather and bad, and it was always wonderful, although during the week not blessed with so many of the good citizens of New Orleans. On some days it was cold and rainy, and only the hard-core joggers were there, and the ducks. You walk past huge, rather opulent-looking houses that face right onto the park, though, so you don't feel alone: you are in somebody's backyard! I thought how unusual it is to have a public park right next to the houses of rich people, and they don't fence the park out! On one side of the park, some of the houses have a fence or a hedge between their yard and the park, but on the other side, the big Victorian houses' porches open right onto the park. They have put swings in the trees in front of their houses. One swing had the word "Saints" painted on it. You can sit in that swing and think about the fact that the Saints won their game the day before. Maybe the resident of the house will come out and chat with you about the game.
Sorry to be mean about this, but this would never happen in Houston. For some reason in Houston, rich people are afraid of everybody else. And really, the crime rate in Houston is probably much lower than in New Orleans. But the huge houses on River Oaks Boulevard have walls around them so high that you can hardly see the houses. And they aren't anywhere near a public park.
We have public parks in Houston, of course, but they are almost all hard to get to, separated from neighborhoods by the high-speed parkways that run alongside the parks, with inadequate or expensive parking, traffic jams on nice days, and little access via public transportation. By contrast, anybody in New Orleans can get to Audubon Park easily on the street car that goes up and down St Charles Avenue, to and from downtown. It costs $1.25. You can open the windows on the street cars. It doesn't go very fast. Getting to the park is almost as good an experience as being in the park itself. The streetcar runs down a grassy "neutral ground" area that is used by joggers when the streetcars aren't there. The streetcar is not particularly big: it's on a human scale. It makes a sort of rumbling noise as it trundles down the track, but it doesn't belch toxic diesel fumes like a bus does. You don't have to wait long for one to come. I was reminded of that old axiom, or maybe it's a song: "Pretty girls are like streetcars; there's another one along every few minutes." I think it's something you say to a guy when his girlfriend breaks up with him. There were a lot of pretty girls, and handsome guys, as well as just happy-looking old folks and interesting dogs, in the park every day I was there.Not to mention the variety of ducks and waterfowl in the lagoon.
People in New Orleans love their city, and it shows. We had supper with some friends who have spent the years since Katrina rebuilding their city, and especially its schools. Their passion for the city was palpable, and admirable. They talked of the terror and insanity of the days immediately after the hurricane, when everybody was "wigged out," and doing any sort of productive work seemed impossible. They talked about the sadness of children who were exiled from their city and their friends for months. They talked about the deep fissures and dysfunction that the catastrophe of the hurricane brought to the surface, and even more about their efforts to heal those revealed wounds. The new charter school movement in New Orleans is actually trying some exciting new things, and although the process is politically fractious, new schools are opening all the time. People are getting together across race and class lines to make sure that kids get what they need. I was so happy to see this.
We went to the Lower Ninth Ward, which is still empty, largely, although inhabited by ghosts. Brad Pitt's new houses there form a little exuberantly-colored village in the midst of the vacant lots. The new Industrial Canal levee looks pretty strong, and there are new houses defiantly erected right next to it, as if daring the water to come in again. We saw a photography show where the photographer, Kevin Kline,, celebrated his neighborhood's inhabitants by thumb-tacking photographs of them to the outside of his house, in a new form of street-blogging. This installation brought up the sadness of the street-blogging of the Katrina days, when residents spray-painted words like, "F@ck you, Katrina!" or "Defend New Orleans!" on their houses, and the even sadder marks spray-painted by rescue teams that indicated whether a drowned person was in the house. But these photographs on a rather run-down shotgun house in a working class neighborhood of New Orleans were different: a hopeful statement that people were still there, including some young people growing up in a new New Orleans.
New Orleans is a city with a lot of inequality, just like Houston. But somehow the people of New Orleans manage to think of themselves together as citizens first. That love of home is a kind of universal solvent that doesn't dissolve all their differences and conflicts, but it prevents the kind of balkanization that happens in Houston, where people lock themselves into neighborhoods of identically-priced houses and drive around in steel bubbles so that they never have to touch or speak to another person. Does car culture cause the kind of rampant individualism that kills civic spirit, or does rampant individualism, and disregard for place, cause car culture? I don't know. But people in New Orleans have protected their parks and their great neighborhoods, to a large extent, from being fractured by freeways and automobiles, and as a result they have a real city, not just a chaotic jumble of individuals.
"The colors of the rainbow, so pretty in the sky
Are also on the faces of people passing by
I see friends shaking hands, saying how do you do
They're really saying, I love you.
...
I think to myself, what a wonderful world."
I went back to Audubon Park every day while we were there, in good weather and bad, and it was always wonderful, although during the week not blessed with so many of the good citizens of New Orleans. On some days it was cold and rainy, and only the hard-core joggers were there, and the ducks. You walk past huge, rather opulent-looking houses that face right onto the park, though, so you don't feel alone: you are in somebody's backyard! I thought how unusual it is to have a public park right next to the houses of rich people, and they don't fence the park out! On one side of the park, some of the houses have a fence or a hedge between their yard and the park, but on the other side, the big Victorian houses' porches open right onto the park. They have put swings in the trees in front of their houses. One swing had the word "Saints" painted on it. You can sit in that swing and think about the fact that the Saints won their game the day before. Maybe the resident of the house will come out and chat with you about the game.
Sorry to be mean about this, but this would never happen in Houston. For some reason in Houston, rich people are afraid of everybody else. And really, the crime rate in Houston is probably much lower than in New Orleans. But the huge houses on River Oaks Boulevard have walls around them so high that you can hardly see the houses. And they aren't anywhere near a public park.
We have public parks in Houston, of course, but they are almost all hard to get to, separated from neighborhoods by the high-speed parkways that run alongside the parks, with inadequate or expensive parking, traffic jams on nice days, and little access via public transportation. By contrast, anybody in New Orleans can get to Audubon Park easily on the street car that goes up and down St Charles Avenue, to and from downtown. It costs $1.25. You can open the windows on the street cars. It doesn't go very fast. Getting to the park is almost as good an experience as being in the park itself. The streetcar runs down a grassy "neutral ground" area that is used by joggers when the streetcars aren't there. The streetcar is not particularly big: it's on a human scale. It makes a sort of rumbling noise as it trundles down the track, but it doesn't belch toxic diesel fumes like a bus does. You don't have to wait long for one to come. I was reminded of that old axiom, or maybe it's a song: "Pretty girls are like streetcars; there's another one along every few minutes." I think it's something you say to a guy when his girlfriend breaks up with him. There were a lot of pretty girls, and handsome guys, as well as just happy-looking old folks and interesting dogs, in the park every day I was there.Not to mention the variety of ducks and waterfowl in the lagoon.
People in New Orleans love their city, and it shows. We had supper with some friends who have spent the years since Katrina rebuilding their city, and especially its schools. Their passion for the city was palpable, and admirable. They talked of the terror and insanity of the days immediately after the hurricane, when everybody was "wigged out," and doing any sort of productive work seemed impossible. They talked about the sadness of children who were exiled from their city and their friends for months. They talked about the deep fissures and dysfunction that the catastrophe of the hurricane brought to the surface, and even more about their efforts to heal those revealed wounds. The new charter school movement in New Orleans is actually trying some exciting new things, and although the process is politically fractious, new schools are opening all the time. People are getting together across race and class lines to make sure that kids get what they need. I was so happy to see this.
We went to the Lower Ninth Ward, which is still empty, largely, although inhabited by ghosts. Brad Pitt's new houses there form a little exuberantly-colored village in the midst of the vacant lots. The new Industrial Canal levee looks pretty strong, and there are new houses defiantly erected right next to it, as if daring the water to come in again. We saw a photography show where the photographer, Kevin Kline,, celebrated his neighborhood's inhabitants by thumb-tacking photographs of them to the outside of his house, in a new form of street-blogging. This installation brought up the sadness of the street-blogging of the Katrina days, when residents spray-painted words like, "F@ck you, Katrina!" or "Defend New Orleans!" on their houses, and the even sadder marks spray-painted by rescue teams that indicated whether a drowned person was in the house. But these photographs on a rather run-down shotgun house in a working class neighborhood of New Orleans were different: a hopeful statement that people were still there, including some young people growing up in a new New Orleans.
New Orleans is a city with a lot of inequality, just like Houston. But somehow the people of New Orleans manage to think of themselves together as citizens first. That love of home is a kind of universal solvent that doesn't dissolve all their differences and conflicts, but it prevents the kind of balkanization that happens in Houston, where people lock themselves into neighborhoods of identically-priced houses and drive around in steel bubbles so that they never have to touch or speak to another person. Does car culture cause the kind of rampant individualism that kills civic spirit, or does rampant individualism, and disregard for place, cause car culture? I don't know. But people in New Orleans have protected their parks and their great neighborhoods, to a large extent, from being fractured by freeways and automobiles, and as a result they have a real city, not just a chaotic jumble of individuals.
Labels:
Audubon Park,
Brad Pitt,
community,
Houston,
Katrina,
Kevin Kline,
Make It Right,
New Orleans
Thursday, November 24, 2011
Occupy Christmas! Just Say No to Shopping!
Billy and Martha, Jacksonville, Florida, circa 1931
Yesterday I had the occasion to use my battle cry again: "Just say no to shopping!" A friend invited me to go shopping on Black Friday. I think it's fine for her to enjoy bargain-hunting on Black Friday. I just don't want to.
For years now, I've been trying to scale back the Christmas Machine, as Jo Robinson and Jean Staeheli call the orgy of shopping that happens at this time of year. One of my friends succeeded in doing it years ago: he just stopped celebrating Christmas or giving presents, and eventually, over many years, people stopped giving him presents too. At first he couldn't stop them, he said, but eventually, when they saw he was serious, they stopped giving him stuff at Christmas.
I don't want to stop celebrating Christmas altogether: I like Christmas music and some of the food. I like Christmas dances a lot. I like seeing my family at Christmas, and I love the deep quiet and long, dark, winter nights at my farm. When you are out in the country, and you go to bed early on Christmas Eve, and you lie in bed with absolute silence all around you in the cold air, it really is a silent night, a holy night. I love to have some rest at that time of year.
I read once that in the Upper Cumberland, where I live (most of the time), there used to be a long winter holiday. There wasn't much work to be done on the farms and in the woodlots, because it was cold. People had to bring in wood to burn, and cook, and feed and water animals, but that was about it. Men went rabbit hunting; maybe women visited each other and played with their needlework. It was a real rest period, and a long one, before the frenetic farm work of the spring began. It went on for a month or more. In medieval times, there were the twelve days of Christmas, a long rest period that ended on January 7th, at least for women, who went back to their spinning on that day. That day was called Rock Day. "Spinnrocken" is an old word for a spinning tool called the distaff, which holds the fibers to be spun. Spinners nowadays sometimes have group spinning parties on that day.
Of course, we've lost this leisurely approach to the solstice holiday. Most people only get one or two days off from work, and the days before Christmas are spent in a flurry of frantic shopping for presents and food. It's especially hard on women, who feel under a great deal of pressure to "make Christmas," and to make it special for their children and families. For many grownups, Christmas just adds to their already intolerable and unhealthy stress load. And for children, the day of Christmas itself is sort of disappointing sometimes: there's a big build-up to a few hours of frantic consumption, and then it's over.
I have nothing against small presents for children. I think everybody under the age of 12 should get at least one present. When my son was little, I bought several little, inexpensive presents, and gave him one each day for the 12 days. This went over really well. He would play with a $2 puzzle all day sometimes. And then the next day there was another cheap little trinket, which seemed very special that day too! I did this when my nephews and niece were little too. They liked it, but there were some amusing snafus: once Jack found my present stash in the closet, and he came and found me and said, "When are you going to give me that little man on the parachute?"
My compromise these days is to find some universal present, usually involving family photographs, that I give to everybody on my list. I can't yet divulge what that present is this year, but it's very affordable, and it's personal, and it involves photographs. I also usually make some knitted things, mainly just to spend down my yarn stash and try some new knitting techniques. That, too, costs very little. I make jam in the summer to give away in winter. (For birthdays, which are spread out around the year and are thus easier, I go "all out." Or what seems like "all out" to me.)
Bill McKibben and his friends in Vermont now celebrate what they call the Hundred Dollar Holiday, where they pledge to limit their spending to $100 for Christmas, per family. I set a limit like that too. This time it went a little over $100, but not by much. (I don't count travel expenses, but you could: your presence could be the present.) At that level, you might buy a big feast (my choice some years!), or a fancy Christmas tree, or a trip out of town, or a few presents, but you can't buy all those things, and that's the point. Some sort of limit on spending also actually limits your stress. You can't do everything, so you just do one or two things, and that's easier and better, and you enjoy those one or two things more.
Another resource for scaling back Christmas is the wonderful book already mentioned above, Unplug the Christmas Machine. (Bill McKibben has a book too called Hundred Dollar Holiday.) I have to re-read that book every year. The authors explain that the idea of presents for adults only began about eighty years ago, in the aftermath of World War I. Economists were worried that since the American economy was no longer bouyed by war, it might sink! Demand might fall off for goods and services! What to do? They came up with the idea of convincing Americans that they must buy a lot of Christmas presents for each other every year! Genius!
Before the 1920s, adults just got little notions in their stockings: needlework stuff for women, tobacco for men. Kids got presents, though. I can see that in my grandfather's photographs from the 1930s: there are a few toys under the rather bedraggled, definitely home-made Christmas tree, but no presents for the grown-ups. It was after all the Depression, but more than that, the habit of massive spending before Christmas had not yet been entrenched in American culture.
Fast forward to the 1950s, and the rising tide of consumerism generally. Now the idea that grownups should buy big presents for each other for Christmas was thoroughly "traditional," people thought. Nobody could remember it being otherwise. Suggesting that the present-giving should be scaled back was tantamount to being a Grinch.
McKibben makes some interesting comments in his essay, "Hundred Dollar Holiday," about this Grinch character. In fact, the bad guy in the story--the Grinch--is the one who believes that Christmas comes from a store. He thinks that if you take away all the toys and store-bought food, Christmas won't exist. He is proved wrong: by singing. This is the most beautiful and insightful part of Dr. Seuss's story: that the real essence of Christmas is people singing together. This is the part that has been crowded out of our American Christmas: holding hands in a circle singing "wahoo, dores."
Ok, I have no idea what "wahoo, dores" means. But Christmas songs are wonderful, as long as they are not played ad nauseam for weeks leading up to Christmas. You don't have to be a Christian to love these songs, like "Oh Little Town of Bethlehem" and "Silent Night." I remember Garrison Keillor talking about the tears streaming down the faces of old Norwegian Lutherans as they sing "Silent Night" in Norwegian every Christmas Eve in their church. The same thing happens to me; I don't know why.
We used to go caroling in our neighborhood in Nashville for years; now nobody seems to do it. That was my favorite part of Christmas, but it was often shoved aside on Christmas Eve by some people because they "had too much wrapping to do." This is how it starts: the really good parts are sort of gradually phased out until all that remains is the shopping, wrapping, and opening of presents. One Mexican person in Unplug the Christmas Machine describes her village's elaborate, days-long round of parties, dancing, fireworks, and feasting, and she says, "You Americans just have presents. We have Christmas!"
Now that nobody can afford much of anything any more, we have a big opportunity: we can get Christmas back. The banks and corporations took it away from us decades ago, way before the present Crash, or even the one before that. Occupy Christmas! You can start now by not shopping for "bargains" tomorrow, and you can start talking to people in your family about scaling back the solstice holiday, at least the presents part. As McKibben says, it may take years of gradual change to get where you want to be, but the effort is worth it. As Fuzzy demonstrated, sometimes it requires one person to unilaterally withdraw before the Christmas truce can really happen.
Yesterday I had the occasion to use my battle cry again: "Just say no to shopping!" A friend invited me to go shopping on Black Friday. I think it's fine for her to enjoy bargain-hunting on Black Friday. I just don't want to.
For years now, I've been trying to scale back the Christmas Machine, as Jo Robinson and Jean Staeheli call the orgy of shopping that happens at this time of year. One of my friends succeeded in doing it years ago: he just stopped celebrating Christmas or giving presents, and eventually, over many years, people stopped giving him presents too. At first he couldn't stop them, he said, but eventually, when they saw he was serious, they stopped giving him stuff at Christmas.
I don't want to stop celebrating Christmas altogether: I like Christmas music and some of the food. I like Christmas dances a lot. I like seeing my family at Christmas, and I love the deep quiet and long, dark, winter nights at my farm. When you are out in the country, and you go to bed early on Christmas Eve, and you lie in bed with absolute silence all around you in the cold air, it really is a silent night, a holy night. I love to have some rest at that time of year.
I read once that in the Upper Cumberland, where I live (most of the time), there used to be a long winter holiday. There wasn't much work to be done on the farms and in the woodlots, because it was cold. People had to bring in wood to burn, and cook, and feed and water animals, but that was about it. Men went rabbit hunting; maybe women visited each other and played with their needlework. It was a real rest period, and a long one, before the frenetic farm work of the spring began. It went on for a month or more. In medieval times, there were the twelve days of Christmas, a long rest period that ended on January 7th, at least for women, who went back to their spinning on that day. That day was called Rock Day. "Spinnrocken" is an old word for a spinning tool called the distaff, which holds the fibers to be spun. Spinners nowadays sometimes have group spinning parties on that day.
Of course, we've lost this leisurely approach to the solstice holiday. Most people only get one or two days off from work, and the days before Christmas are spent in a flurry of frantic shopping for presents and food. It's especially hard on women, who feel under a great deal of pressure to "make Christmas," and to make it special for their children and families. For many grownups, Christmas just adds to their already intolerable and unhealthy stress load. And for children, the day of Christmas itself is sort of disappointing sometimes: there's a big build-up to a few hours of frantic consumption, and then it's over.
I have nothing against small presents for children. I think everybody under the age of 12 should get at least one present. When my son was little, I bought several little, inexpensive presents, and gave him one each day for the 12 days. This went over really well. He would play with a $2 puzzle all day sometimes. And then the next day there was another cheap little trinket, which seemed very special that day too! I did this when my nephews and niece were little too. They liked it, but there were some amusing snafus: once Jack found my present stash in the closet, and he came and found me and said, "When are you going to give me that little man on the parachute?"
My compromise these days is to find some universal present, usually involving family photographs, that I give to everybody on my list. I can't yet divulge what that present is this year, but it's very affordable, and it's personal, and it involves photographs. I also usually make some knitted things, mainly just to spend down my yarn stash and try some new knitting techniques. That, too, costs very little. I make jam in the summer to give away in winter. (For birthdays, which are spread out around the year and are thus easier, I go "all out." Or what seems like "all out" to me.)
Bill McKibben and his friends in Vermont now celebrate what they call the Hundred Dollar Holiday, where they pledge to limit their spending to $100 for Christmas, per family. I set a limit like that too. This time it went a little over $100, but not by much. (I don't count travel expenses, but you could: your presence could be the present.) At that level, you might buy a big feast (my choice some years!), or a fancy Christmas tree, or a trip out of town, or a few presents, but you can't buy all those things, and that's the point. Some sort of limit on spending also actually limits your stress. You can't do everything, so you just do one or two things, and that's easier and better, and you enjoy those one or two things more.
Another resource for scaling back Christmas is the wonderful book already mentioned above, Unplug the Christmas Machine. (Bill McKibben has a book too called Hundred Dollar Holiday.) I have to re-read that book every year. The authors explain that the idea of presents for adults only began about eighty years ago, in the aftermath of World War I. Economists were worried that since the American economy was no longer bouyed by war, it might sink! Demand might fall off for goods and services! What to do? They came up with the idea of convincing Americans that they must buy a lot of Christmas presents for each other every year! Genius!
Before the 1920s, adults just got little notions in their stockings: needlework stuff for women, tobacco for men. Kids got presents, though. I can see that in my grandfather's photographs from the 1930s: there are a few toys under the rather bedraggled, definitely home-made Christmas tree, but no presents for the grown-ups. It was after all the Depression, but more than that, the habit of massive spending before Christmas had not yet been entrenched in American culture.
Fast forward to the 1950s, and the rising tide of consumerism generally. Now the idea that grownups should buy big presents for each other for Christmas was thoroughly "traditional," people thought. Nobody could remember it being otherwise. Suggesting that the present-giving should be scaled back was tantamount to being a Grinch.
McKibben makes some interesting comments in his essay, "Hundred Dollar Holiday," about this Grinch character. In fact, the bad guy in the story--the Grinch--is the one who believes that Christmas comes from a store. He thinks that if you take away all the toys and store-bought food, Christmas won't exist. He is proved wrong: by singing. This is the most beautiful and insightful part of Dr. Seuss's story: that the real essence of Christmas is people singing together. This is the part that has been crowded out of our American Christmas: holding hands in a circle singing "wahoo, dores."
Ok, I have no idea what "wahoo, dores" means. But Christmas songs are wonderful, as long as they are not played ad nauseam for weeks leading up to Christmas. You don't have to be a Christian to love these songs, like "Oh Little Town of Bethlehem" and "Silent Night." I remember Garrison Keillor talking about the tears streaming down the faces of old Norwegian Lutherans as they sing "Silent Night" in Norwegian every Christmas Eve in their church. The same thing happens to me; I don't know why.
We used to go caroling in our neighborhood in Nashville for years; now nobody seems to do it. That was my favorite part of Christmas, but it was often shoved aside on Christmas Eve by some people because they "had too much wrapping to do." This is how it starts: the really good parts are sort of gradually phased out until all that remains is the shopping, wrapping, and opening of presents. One Mexican person in Unplug the Christmas Machine describes her village's elaborate, days-long round of parties, dancing, fireworks, and feasting, and she says, "You Americans just have presents. We have Christmas!"
Now that nobody can afford much of anything any more, we have a big opportunity: we can get Christmas back. The banks and corporations took it away from us decades ago, way before the present Crash, or even the one before that. Occupy Christmas! You can start now by not shopping for "bargains" tomorrow, and you can start talking to people in your family about scaling back the solstice holiday, at least the presents part. As McKibben says, it may take years of gradual change to get where you want to be, but the effort is worth it. As Fuzzy demonstrated, sometimes it requires one person to unilaterally withdraw before the Christmas truce can really happen.
Friday, November 18, 2011
Long Bean and Eggplant Salad
Our CSA basket last week had long beans in it. Long beans are Vigna unguiculata subsp. sesquipedalis, so they are very different from Phaseolus vulgaris, the common garden bean that most people think of when they think of green beans. Long beans are more related to cow peas (also called field peas or Southern peas), which include black-eyed peas and crowder peas. With long beans, though, you don't eat the seed; you eat the pod, as with regular green beans.
Long beans come in different colors; ours were a pretty purple:
They were about 12 inches long. They can grow much longer than that; in fact, they are sometimes called "yard long beans," but if you let them get too big, they become too tough to cook easily.
I like to make a recipe that I found in Gourmet magazine years ago. It's a salad, and you make it by blanching the long beans, roasting an Asian-type eggplant, and dressing them with a tangy salad dressing made of lime juice, sugar, and fish sauce. I didn't have any cherry tomatoes, but they look very pretty in the salad if you have some.
First I chopped the beans into shorter lengths and blanched them for two minutes:
The recipe says to plunge the cooked beans into ice water, but I just rinse them with cold water when I scoop them out into a strainer.
Then you slice the eggplant, brush it with olive oil, and broil it. Here it is, ready to go under the broiler.
You broil one side for three to four minutes, and when it turns brown, you flip them over and broil the other sides. The eggplant does not get as greasy as it does if you fry it in a skillet; fried eggplant seems to soak up oil like a sponge.
The dressing is easy to make with some Asian fish sauce, sugar, and lime juice. I sometimes use vinegar instead if I don't have any lemon or lime juice, and it tastes fine. I put rather more cilantro in the salad than the recipe called for.
You can make this salad several hours ahead, and the flavors get better as it marinates.
Thursday, November 10, 2011
Roselle Martini: Community-Supported Cocktail Hour
Tom and I belong to a CSA. Yes, it's true that our ancestors were once involved with an entity known as the Confederate States of America, but this time we belong to a Community-Supported Agriculture group. This means that once a week we pick up a basket of produce from the Utility Research Garden. Our farmer is David Cater, and the basket is always full of interesting, beautiful, very fresh produce.
Last week we got some pretty red blossoms in our basket. Actually the red pieces come from the calyx of a species of hibiscus plant, and they are used in cuisines all over the tropical world. There are actually two species of hibiscus the calyces of which are used in cooking: Hibiscus sabdariffa and Hibiscus cannabinus. Some of these species also produce a bast fiber in the stems. I'm guessing that's why one of the Indian (subcontinent) species has "cannabinus" in its name: it's used a bit like hemp.
Back to cocktail hour. I'd been making tea with the calyces for some weeks, whenever we got them in our basket, but it occurred to me that their beautiful red color could be exploited for other purposes, such as jello, or even better, cocktails! It turned out that there is a traditional cocktail called the Martini de jamaica. Jamaica is the Mexican word for these pretty flower parts. I altered the recipe for this cocktail a bit, and here's what I did.
First I simmered the red petals in water to cover them for about fifteen minutes, to make a very concentrated tea, about one cup's worth. Then I strained the petals out, and I added about a half cup of sugar to the hot tea and stirred until it dissolved. (This was probably too much. Looking at the original recipe which called for a separate simple syrup, I see that about 1/4 cup of sugar would have been about right.)
Then I squeezed three lemons and put the juice in a separate jar.
Tom brought home the vodka and we chilled it.
To make one martini:
2 ounces of the sugary roselle syrup
1 1/2 ounces vodka
1 1/2 ounces lemon or lime juice
We poured this over crushed ice and stuck a basil stem in it for decoration, because we didn't have any little umbrellas:
Since this first sample was good, I mixed a batch in a ball jar, using up the rest of the syrup. When people came we poured it over ice. There's still some left over for breakfast!
Last week we got some pretty red blossoms in our basket. Actually the red pieces come from the calyx of a species of hibiscus plant, and they are used in cuisines all over the tropical world. There are actually two species of hibiscus the calyces of which are used in cooking: Hibiscus sabdariffa and Hibiscus cannabinus. Some of these species also produce a bast fiber in the stems. I'm guessing that's why one of the Indian (subcontinent) species has "cannabinus" in its name: it's used a bit like hemp.
Back to cocktail hour. I'd been making tea with the calyces for some weeks, whenever we got them in our basket, but it occurred to me that their beautiful red color could be exploited for other purposes, such as jello, or even better, cocktails! It turned out that there is a traditional cocktail called the Martini de jamaica. Jamaica is the Mexican word for these pretty flower parts. I altered the recipe for this cocktail a bit, and here's what I did.
First I simmered the red petals in water to cover them for about fifteen minutes, to make a very concentrated tea, about one cup's worth. Then I strained the petals out, and I added about a half cup of sugar to the hot tea and stirred until it dissolved. (This was probably too much. Looking at the original recipe which called for a separate simple syrup, I see that about 1/4 cup of sugar would have been about right.)
Then I squeezed three lemons and put the juice in a separate jar.
Tom brought home the vodka and we chilled it.
To make one martini:
2 ounces of the sugary roselle syrup
1 1/2 ounces vodka
1 1/2 ounces lemon or lime juice
We poured this over crushed ice and stuck a basil stem in it for decoration, because we didn't have any little umbrellas:
Since this first sample was good, I mixed a batch in a ball jar, using up the rest of the syrup. When people came we poured it over ice. There's still some left over for breakfast!
Labels:
hibiscus martini,
martini de jamaica,
roselle
Thursday, November 3, 2011
Cooking with Greens: Gumbo Z'herbes
We get a lot of greens from our gardens on Brangus Lane and in Houston, and in Houston we also belong to a community-supported agriculture, or CSA. Every week we pick up our share of vegetables, and this time of year, greens are an important part of the harvest. You know that greens are very good for you. The magnesium in them helps your mitochondria to work. The iron is good for your blood. The calcium is good for your bones. But sometimes it seems impossible to use all these greens! If only you could somehow sort of reduce them to a flavorful, nutritious essence...
Enter gumbo z'herbes, a concentrated, flavorful essence of greens. I first heard of this in a macrobiotic cooking class in Boston, of all places, where a classmate from Louisiana talked about it. The macrobiotic version, truth be told, was not all that great: it was just chopped greens simmered in some water, maybe with an onion. I suspected that there was more to the original version.
Years later I saw a recipe for gumbo z'herbes in Gourmet magazine. The recipe I'm using today is adapted from the Gourmet recipe. This version seems more authentic, as it calls for ham hocks cooked for an hour to make a flavorful stock to cook the greens in. I also found a recipe in New Orleans Gumbos and Soups, by Kit Wohl. The recipe in that book comes from a restaurant called Dooky Chase's, which I'd love to visit. This recipe has you boil the greens for thirty minutes, strain them, make a meat broth with a LOT of meat, and then a roux-thickened broth, to which you add the chopped greens and meat. This recipe is probably even more authentic than the Gourmet recipe, but I prefer to cook my greens for a shorter period of time to preserve their vitamins and bright green color.
(Speaking of bright, green color: one thing that I've noticed about cooking with greens is that if you parboil the leaves whole for about 3-5 minutes, cool them, chop them finely, and then store the chopped, lightly-cooked greens in a bowl in the refrigerator, you will use them more in your everyday cooking. They are already prepped, and they look so good and colorful! You can simply saute these lightly-cooked greens in olive oil or butter, maybe with a sauteed onion, or add them to soups and stews at the end of the cooking. They could be folded into an omelet, a souffle batter, or a sauce.)
The basic idea for gumbo z'herbes is that you make a kind of thin soul food/cracker version of sauce veloute for its base, to which you add the cooked greens and meat. A classic French sauce veloute is a white sauce made with a fish or chicken broth stirred into a roux made with butter and flour. But in the South, we make our roux with pork fat of some kind, from bacon or lard or sausage, and our broth is made from ham hocks. The pig ruled Southern cuisine for most of our history.
(There is also a classic French sauce called sauce bechamel, where milk is added to the butter and flour roux instead of broth. In the South, we call it sawmill gravy, and again, the roux is made of fat rendered from bacon or sausage.)
So here's my adapted, somewhat simplified, somewhat brighter-green gumbo z'herbes recipe.
2 lbs greens (I used mustard greens and sweet potato greens)
1/2 lb bacon or 1# ham hock
2 small habanero peppers
1 chopped onion
2 garlic cloves
1 bell pepper chopped
2 T butter or bacon fat
2 T flour
Bring 2 quarts of water to boil in a large pot. Put the greens in the pot, one bunch at a time. You may have to cook the greens in three batches to fit the bunches in the pot. Don't chop the greens before cooking: they have more flavor if they're boiled whole. Parboil each bunch of greens for about five minutes, then scoop the greens out and put them in a colander to cool. When they are cool, chop them.
When all the greens are cooked, put the bacon or ham hock and habaneros in the cooking water and simmer for one hour. Strain. Chop the bacon, and take the meat off the ham hock, and set aside.
Cook the onions, pepper, and garlic in the butter in a pot for about five minutes. Add the flour and cook, stirring, for 2-3 minutes. Add the broth in a slow stream, stirring constantly. It will begin to thicken. This is your cracker sauce veloute. Add the chopped greens and bacon. Simmer, uncovered, for about eight minutes. Season to taste with salt and vinegar.
You can puree the soup with an immersible blender after cooking if you want it to be really smooth and like essence de greens.
Garnish it with cream, sour cream, Tabasco sauce, and a side of sausage. You can serve it over rice or with cornbread.
Enter gumbo z'herbes, a concentrated, flavorful essence of greens. I first heard of this in a macrobiotic cooking class in Boston, of all places, where a classmate from Louisiana talked about it. The macrobiotic version, truth be told, was not all that great: it was just chopped greens simmered in some water, maybe with an onion. I suspected that there was more to the original version.
Years later I saw a recipe for gumbo z'herbes in Gourmet magazine. The recipe I'm using today is adapted from the Gourmet recipe. This version seems more authentic, as it calls for ham hocks cooked for an hour to make a flavorful stock to cook the greens in. I also found a recipe in New Orleans Gumbos and Soups, by Kit Wohl. The recipe in that book comes from a restaurant called Dooky Chase's, which I'd love to visit. This recipe has you boil the greens for thirty minutes, strain them, make a meat broth with a LOT of meat, and then a roux-thickened broth, to which you add the chopped greens and meat. This recipe is probably even more authentic than the Gourmet recipe, but I prefer to cook my greens for a shorter period of time to preserve their vitamins and bright green color.
(Speaking of bright, green color: one thing that I've noticed about cooking with greens is that if you parboil the leaves whole for about 3-5 minutes, cool them, chop them finely, and then store the chopped, lightly-cooked greens in a bowl in the refrigerator, you will use them more in your everyday cooking. They are already prepped, and they look so good and colorful! You can simply saute these lightly-cooked greens in olive oil or butter, maybe with a sauteed onion, or add them to soups and stews at the end of the cooking. They could be folded into an omelet, a souffle batter, or a sauce.)
The basic idea for gumbo z'herbes is that you make a kind of thin soul food/cracker version of sauce veloute for its base, to which you add the cooked greens and meat. A classic French sauce veloute is a white sauce made with a fish or chicken broth stirred into a roux made with butter and flour. But in the South, we make our roux with pork fat of some kind, from bacon or lard or sausage, and our broth is made from ham hocks. The pig ruled Southern cuisine for most of our history.
(There is also a classic French sauce called sauce bechamel, where milk is added to the butter and flour roux instead of broth. In the South, we call it sawmill gravy, and again, the roux is made of fat rendered from bacon or sausage.)
So here's my adapted, somewhat simplified, somewhat brighter-green gumbo z'herbes recipe.
2 lbs greens (I used mustard greens and sweet potato greens)
1/2 lb bacon or 1# ham hock
2 small habanero peppers
1 chopped onion
2 garlic cloves
1 bell pepper chopped
2 T butter or bacon fat
2 T flour
Bring 2 quarts of water to boil in a large pot. Put the greens in the pot, one bunch at a time. You may have to cook the greens in three batches to fit the bunches in the pot. Don't chop the greens before cooking: they have more flavor if they're boiled whole. Parboil each bunch of greens for about five minutes, then scoop the greens out and put them in a colander to cool. When they are cool, chop them.
When all the greens are cooked, put the bacon or ham hock and habaneros in the cooking water and simmer for one hour. Strain. Chop the bacon, and take the meat off the ham hock, and set aside.
Cook the onions, pepper, and garlic in the butter in a pot for about five minutes. Add the flour and cook, stirring, for 2-3 minutes. Add the broth in a slow stream, stirring constantly. It will begin to thicken. This is your cracker sauce veloute. Add the chopped greens and bacon. Simmer, uncovered, for about eight minutes. Season to taste with salt and vinegar.
You can puree the soup with an immersible blender after cooking if you want it to be really smooth and like essence de greens.
Garnish it with cream, sour cream, Tabasco sauce, and a side of sausage. You can serve it over rice or with cornbread.
Wednesday, November 2, 2011
Asian Persimmons
I don't really have a favorite food of all time, one that I would request on death row at my last meal. I like seasonal, local food, from my own terroir if possible, and that varies depending on the time of year. In summer, it's my own favorite cherry tomatoes; in winter, it's my own favorite kale.
Right now I'm in Houston, which is not my own terroir, but I still buy locally-grown food at the farmer's market. Right now what I really, really like is persimmons. I like them everywhere, even when I'm in Tennessee, but in Tennessee I eat wild persimmons that I find on the ground, usually on the road, and sort of warmed by the road and maybe smushed by a car. Sometimes they have a little grit from the road in them. They have a lot of seeds, and I save the seeds and scatter them around my farm, or plant them in a row in the garden hoping to grow a hardy persimmon seedling.
In Houston you can buy locally-grown Asian persimmons. These are quite a bit bigger than the wild native persimmons, and they have only one or two seeds per fruit. Some fruits have no seeds at all! They are a beautiful orange color before they are ripe, and they are rather hard at first, but then they soften and turn brownish, and this is when you eat them. The variety that I bought at the farmer's market did not have much of the astringency of the wild American persimmon, but apparently some of the Asian types are more astringent than others.
The other day on one of my walks around the neighborhood, I saw a neighbor's tree just loaded with these Asian persimmons. None of them were on the ground. I think you pick them here while they are still unripe, and then you ripen, or "blett" them, in the house. That also prevents possums from dining on them before you can get them.
Urban Harvest in Houston sells Asian persimmon trees at their annual fruit tree sale in late January, and maybe I will get one this year. They certainly seem to thrive here. However, I think it would likely be too cold for them on Brangus Lane: they can't take temperatures below zero. Maybe in the near future, though, as the climate warms, we will be able to grow Asian persimmons in the Upper Cumberland.
Right now I'm in Houston, which is not my own terroir, but I still buy locally-grown food at the farmer's market. Right now what I really, really like is persimmons. I like them everywhere, even when I'm in Tennessee, but in Tennessee I eat wild persimmons that I find on the ground, usually on the road, and sort of warmed by the road and maybe smushed by a car. Sometimes they have a little grit from the road in them. They have a lot of seeds, and I save the seeds and scatter them around my farm, or plant them in a row in the garden hoping to grow a hardy persimmon seedling.
In Houston you can buy locally-grown Asian persimmons. These are quite a bit bigger than the wild native persimmons, and they have only one or two seeds per fruit. Some fruits have no seeds at all! They are a beautiful orange color before they are ripe, and they are rather hard at first, but then they soften and turn brownish, and this is when you eat them. The variety that I bought at the farmer's market did not have much of the astringency of the wild American persimmon, but apparently some of the Asian types are more astringent than others.
The other day on one of my walks around the neighborhood, I saw a neighbor's tree just loaded with these Asian persimmons. None of them were on the ground. I think you pick them here while they are still unripe, and then you ripen, or "blett" them, in the house. That also prevents possums from dining on them before you can get them.
Urban Harvest in Houston sells Asian persimmon trees at their annual fruit tree sale in late January, and maybe I will get one this year. They certainly seem to thrive here. However, I think it would likely be too cold for them on Brangus Lane: they can't take temperatures below zero. Maybe in the near future, though, as the climate warms, we will be able to grow Asian persimmons in the Upper Cumberland.
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